By the time the story-inspired by Truffaut's The Bride Wore Black-begins, we've sat through another "teaser trailer" for the film.Īnd what of the story? As in his Oscar-winning screenplay for Pulp Fiction, prepares his revenge dish like a Benihana chef, chopping it and tossing it in a dazzling display that's as appealing (if not more) than the meal itself. ![]() The self-consciously refined opening titles literally and figuratively announce that this is "The 4th Film By Quentin Tarantino": to the loaded tune of Nancy Sinatra's "Bang Bang (My Baby Shot Me Down)," the director rolls out a series of movie-opening jokes and surprises, from a vintage "Our Feature Presentation" announcement to a scroll of "Guest Stars" and behind-the-scenes talent (Martial Arts Advisor Yuen Wo-Ping! Original Music by The RZA!). Six years after his relatively restrained Jackie Brown, Tarantino returns in an excessive mood: Kill Bill, Volume 1 is just half of the maestro's instructional film on projectile bleeding. It's all part of the arch postmodernism that makes this loony, nostalgia-act promoter who he is: repellent child to some, cult hero to others. An unapologetic pulp scribe, Tarantino thinks nothing (or is it everything?) of dropping scores of allusions to the beloved pop culture of his youth into his movie-universe comedy-tragedies. Quentin Tarantino makes movies for movies' sake. This appeal is what attracts us, and ultimately what makes us despair when we begin to understand how seldom movies are more than this." -Pauline Kael ![]() "The words "Kiss Kiss Bang Bang," which I saw on an Italian movie poster, are perhaps the briefest statement imaginable of the basic appeal of movies.
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